The
presence of technology, as an explicit domain of philosophical
reflection within the thought of Paul Ricœur, appears as early as 1958,
in a presentation to the Congress of Christianisme social [37].
Ricœur’s philosophical reflection and critique are centred upon the
effect of technological progress, as a global or planetary phenomenon,
upon the relationship between human beings and the world and the
internal relationship of the human being with itself. The Ricœurian
reflection and critique develop a position situated between unreflective
identification with technology and an unqualified, total rejection.Footnote 15
Rather, for Ricœur, the philosophical reflection, and the critique
which develops from it, should commence from the consideration of the
technological as that which has become determinant for human life. Here,
determinant is, for Ricœur, when technology and its associated
technicity have become part of the definition of the human being.Footnote 16 It this “new awareness”, holding technology as an element in the human being’s “definition” and “destination”,Footnote 17 which marks the transition to a “technological civilisation”.Footnote 18
It
is this affinity with this aspect of the Ricœurian approach to the
presence of technology, within human existence, which is further
developed and extended, each in their distinctive manner, by the
contributions of Makouar and Holzem and Blandino. Their common affinity
and difference from Ricœur relate to the retention of an underlying
notion of a technological civilisation combined with its further
development from the industrial to the digital. It is the further
development to the digital which, in turn, leads to a concentration
upon, and interpretation of Ricœur’s later work, as the basis for the
critical reflection upon a digital technological civilisation. Within
the framework of the special issue, their critical reflections relate to
elements of the relationship between digital technological civilisation
and law.
The contribution of Makouar and Holzem centres upon a
critical examination of the relationship between legal decision-making,
as a specifically juridical form of symbolic mediation between the
individual and society, and the effect upon it of digitisation. In place
of the Ricœurian recourse in the 1958 article to a critique informed by
biblical hermeneutics, the foundation for the analysis of Makouar and
Holzem is derived from another, later aspect of Ricœur’s work.
This
foundation or foundational orientation results from the reconstruction
of the effect of the structural approach to anthropology of Levi-Strauss
upon Ricœur’s work, and subsequent engagement with the work of Geertz.Footnote 19
From this reconstruction, the emphasis is placed upon the centrality of
symbolic mediation as that which creates, facilitates and shapes the
relationship between the individual and the social world. An exemplary
institutionalisation of symbolic mediation is the legal system and, more
particularly, the process of legal decision-making.
Here, based
upon detailed analysis of the legal judgment of a French appeal court,
the process by which the formulation of legal judgment, from the
particular legal situation with which the court is required to
determine, involves the enactment of symbolic mediation. Hence, that in
place of an approach to legal judgment which would confine it to the
process of subsumption of a particular situation under a general norm,
the legal judgment is a process of modal transformation: an operation of
symbolic mediation between the individual and the social or society.
The
process of symbolic mediation revealed by this detailed analysis leads
to its affinity with, and support from, the Ricœurian approach to law,
the trial and legal judgment, in The Just and Reflections on the Just.
This affinity also involves a further inflection by setting this
understanding of legal practice within the broader framework of theories
of enaction and their transposition into the social systems theory of
Niklas Luhumann. The purpose of this inflection is to demonstrate that
the operation of symbolic mediation, through the legal system, is the
corollary of the insistence upon the centrality of lived experience to
the understanding of behaviour and knowledge.
It is both this
operation of symbolic mediation and its broader theoretical framework
which are significantly affected by the introduction of the digital into
the trial process. For the digital rests upon the alternative
conceptions of cognitive science and neuroscience. This introduction is
considered to represent a profound transformation in which digital
justice cannot be understood as a justice merely assisted and
complemented by technology. Digital justice represents the dissolution
of the operation of symbolic mediation of the legal system.Footnote 20
The
contribution of Blandino also diverges from the Ricœurian critique
informed by biblical hermeneutics, and the focus of its examination is a
different aspect of the relationship between the digital and law. The
analysis concerns the particular challenge to the established categories
of private or civil law (domestic and international) of the digital
phenomena of crypto assets and blockchain networks. This derives from
the immaterial and de-territorialised—digital—character of these assets
and networks and the consequent challenge, for civil law, of
jurisdiction and regulation. The challenge—the difficulties of the
relationship of law to these digital phenomena—becomes the focus for a
response of reconfiguration. It seeks to re-establish a coherent
relationship between civil law and these digital phenomena informed by
Ricœur’s work on narrative and justice [8, 45].Footnote 21
The
coherence is re-established by emphasising that the relationship
between civil law and these digital phenomena should be understood as
that of the interpretation of narrative. This understanding is developed
through the comprehension of these digital phenomena as narrative
objects, namely, that their internal coherence is a narrative coherence.
This, in turn, entails, following Ricœur, that they are objects with a
dynamic coherence, in place of their conventional designation as static
representations of value.
From this narrative reconfiguration of
the understanding of these digital phenomena, the legal pole of the
relationship, composed of the categories of civil law and their
application, is also held to be capable of reconfiguration as a
narrative. In relation to the legal pole, it is by understanding legal
interpretation—the application of existing legal categories to new
phenomena or situations—as an inherently creative process. The
creativity of legal interpretation is held to be analogous to that of
the general relationship between text and reader characterised by the
passage through the mimetic stages of prefiguration, configuration,
reconfiguration.
In this manner, the relationship between these
digital phenomena and civil law becomes comprehensible as the
interweaving of a narrative relationship between law and the digital.
The dynamic narrative coherence of these digital phenomena is
acknowledged and comprehended through an equally dynamic operation of
legal interpretation. The passage between the digital and law and, in
this passage, the generation of this mutual interweaving or mediation,
draws upon the Ricœurian concept of emplotment.
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