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| @Larry Catá Backer, St. Martin's Cathedral, Utrecht, Netherlands 2022 |
"Iconoclasm has taken different forms in different contexts, among them Christian destruction of pagan images, Byzantine, Islamic, or French Revolutionary iconoclasm, pre-Conquest Mesoamerican ritual mutilation of sculpted and painted heads, and political erasure, both ancient and modern, such as the shelling of the Bamiyan Buddha figures by the Taliban in Afghanistan in 2000. . . Ancient Egyptian iconoclasts hacked the faces from stone images of pharaohs, and cartouches of their names were erased. The Roman practice of damnatio memoriae involved the physical erasure of the name or image of the dead for political reasons . . . [but] the face was universally selected for destruction."(C. Pamela Graves, "From an Archaeology of Iconoclasm to an Anthropology of the Body," Current Anthropology (2008) 49(1):35-57, 35.
Iconoclasm is a semiotic act--the performance of power effectuated through the control of the visual spaces within which collectives are managed. Within it objects acquire a specific representation character that signifies the core alignment with a way of interpreting the world or of manifesting relations within it, or as declarations of allegiance to an ordering framework (whether cultural, political. religious, natural, or otherwise divine) generally overseen by a corp of interpreters and enforced by a population that has been thoroughly imbued with the natural authority of an exogenous source--represented in text as some manifestation of [T]ruth.
Most societies function well enough within the parameters of its iconoclasms. Though in many the borderlands are sometimes the site of vicious and cruel battles--from ideas to the bodies of believers. The presentation of images of or around divine or divinely inspired objects, persons or other manifestations is one such point of internal contestation. The imagery, signification, and representative truth of the images of the Trinity or any of its three forms, and the Saints serve as a reminder of the power of such discussions over meaning and representation that can rend apart even the most other coherent faith community. And these sorts of internal theological or interpretative battles are not con fined to Christianity--then or now. The cruelty, of course is augmented when individual encounters with the divine are made a function of conformity and surveillance by either dominant or powerful communal minorities.
Yet it is when these iconoclasms are then exported out from one faith community to another that the signification of social relations become more complicated. For here one deals not just with internal or intra-communal disciplines, but with the power realities among communities that share the same space but not the same realities. There are, of course, many ways in which communities can impose order and stability where inter-communal iconoclasms conflict or are disjointed. The simplest is for the majority to privilege its own iconoclasms and tolerate to some extent the preferences of those who do not share their views. A more traditional approach, still followed in some states is to reject toleration at all--so that the iconoclasms of a majority must necessarily be incorporated into the private practices and public manifestations of minorities within a larger iconoclastic community. Sometimes energetic minorities within a faith community can strategically leverage their zeal to impose their own views not just on the otherwise indifferent or unwilling within their faith communities, but export those preferences outward to communities for which such encounters with representation are normatively incompatible. Sometimes efforts are made for mutual toleration understanding that the preference of one faith community may be binding within but inapplicable to another. And sometimes one encounters the complexities of formal rules of equal toleration as a function of offense principles applied to public spaces. Nonetheless these are difficult to navigate the the temptation of corruption--to use strategically offense to push forward the privileging of one set of iconoclasms above another, always remains present.
The international community, through the efforts of the UN Office of the High Commissioner for Human Rights once sought to suggest a means of balancing iconoclasms with the broader field of mutual toleration and the protection against hostility or bias where communal groups with incompatible beliefs occupy the same spaces. This Rabat Plan of Action (Report of the United Nations High Commissioner for Human Rights on the expert workshops on the prohibition of incitement to national, racial or religious hatred, A/HRC/22/17/Add.4 (11 January 2013) had among its provisions, the following conceptual baseline for managing these situations:
Second, restrictions must be formulated in a way that makes clear that its sole purpose is to protect individuals and communities belonging to ethnic, national or religious groups, holding specific beliefs or opinions, whether of a religious or other nature, from hostility, discrimination or violence, rather than to protect belief systems, religions or institutions as such from criticism. The right to freedom of expression implies that it should be possible to scrutinize, openly debate and criticize belief systems, opinions and institutions, including religious ones, as long as this does not advocate hatred that incites violence, hostility or discrimination against an individual or group of individuals. (Rabat Plan of Action on the prohibition of advocacy of national, racial or religious hatred that constitutes incitement to discrimination, hostility or violence, Introduction ¶ 11; Rabat Plan ¶¶ 10-11)).
Though the Rabat Plan of Action may have been slated for the dustbin of international efforts, some of its insights might appear useful.Especially in the context of the imagery around which disciplinary systems of iconoclasm are built, what may be sacrilegious in one faith community may be an act of faith in another. Nonetheless for both each devotional act may be viewed as an act of hostility directed against the other.
It is with all of this in mind that one might usefully consider the recent actions of officials at Hamline University, whose determine to terminate a faculty member has become quite controversial. "A Lecturer Showed a Painting of the Prophet Muhammad. She Lost Her Job: After an outcry over the art history class by Muslim students, Hamline University officials said the incident was Islamophobic. But many scholars say the work is a masterpiece." New York Times (8 January 2023) ("The painting shown in Dr. López Prater’s class is in one of the earliest Islamic illustrated histories of the world, “A Compendium of Chronicles,” written during the 14th century by Rashid-al-Din (1247-1318). Shown regularly in art history classes, the painting shows a winged and crowned Angel Gabriel pointing at the Prophet Muhammad and delivering to him the first Quranic revelation." Ibid.).
The Art History Faculty Statement on Recent Events at Hamline University (Note: no images other than the painting of Jonah and the Whale appear in this story), January 13, 2023, may provide a valuable perspective on the public space and education issues. It leaves open the harder issue of reconciling competing theologies within and between religious communities in shared spaces and where the production and interrogation of knowledge is itself of central concern--to the communities, to society, and to the state. It follows below.























